Shaboozey and BigXThaPlug Defy Genre Norms at 2025 CMA Awards
- November 21, 2025
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Shaboozey and BigXThaPlug defy genre norms at the 2025 CMAs with groundbreaking performances that highlight the fusion of country and hip hop music.
Shaboozey and BigXThaPlug defy genre norms at the 2025 CMAs with groundbreaking performances that highlight the fusion of country and hip hop music.
In an era where musical genres are continually evolving and blending, few events highlight this evolution better than the recent 2025 Country Music Association Awards held at the Bridgestone Arena in Nashville, Tennessee. The spectacle of the evening wasn’t just about classic country music but also about its fusion with hip hop, a blend that artists like Shaboozey and BigXThaPlug have been pioneering.
Shaboozey, originally hailing from Virginia, has been a notable figure in this crossover movement. His performance of “Took a Walk” with Stephen Wilson Jr. was among the highlights of the night, earning a rapturous standing ovation from the audience. The staging was as much a part of the performance as the music, with the set designed to resemble a broad, open field, offering a tangible homage to the song’s roots in the soundtrack of The Long Walk.
His journey into the country music scene wasn’t a spontaneous leap but a calculated journey. Shaboozey first gained traction with his 2024 hit “A Bar Song (Tipsy),” a track that rocketed to prominence following a high-profile endorsement from Beyoncé, who featured him on her album COWBOY CARTER. The song’s success is marked by its ascendancy to the top of Billboard’s Hot Country Songs chart, where it broke records including the most time spent at No. 1 on the Billboard Radio Songs chart.
Meanwhile, BigXThaPlug teamed up with country star Luke Combs to perform “Pray Hard,” a powerful collaboration symbolizing one of the many bridges between hip hop and country. This performance stems from BigX’s genre-blending album I Hope You’re Happy, which dropped in August 2025 and has been praised for its innovative blend of rhythms, lyrics, and influences.
The presence of these artists at the CMAs not only highlights their individual contributions to the evolving music landscape but also signals a broader acceptance and celebration of genre crossover. This is a shift from a historically rigid genre classification to a more fluid, inclusive definition of music.
It’s worth noting that genre crossover isn’t a novel concept; however, its rising prominence in mainstream award ceremonies like the CMAs is indicative of a changing industry. Crossover acts have become mainstream ambassadors for change, challenging traditionalists while opening up new markets for music consumption.
Despite not taking home the New Artist of the Year award—an honor bestowed upon Zach Top—Shaboozey’s nomination itself marks a significant milestone. His recognition at such a high level is a testament to the artist’s talent and the potential for his style to become a staple in the country music scene and beyond. This speaks volumes about the audience’s evolving taste and the music industry’s growing inclusivity.
As the line between hip hop and country music continues to blur, the performances at the CMAs by Shaboozey and BigXThaPlug serve as a shining example of artistry that defies conventional categorization. Both artists are not merely riding a wave; they’re actively shaping it, crafting an innovative soundscape that could redefine what it means to be a musician in a genre-diverse world.